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Knobloch and Mackay say there were a few, though not many, artists who turned them down flat. But there were also particular issues related to the book itself, considered by some to be either too racy or too lowbrow. One problem was typical of soundtracks: At any given moment, many artists are simply unavailable due to the time constraints of their own touring or promotional schedules. Despite the cultural and commercial momentum of the franchise, they faced significant challenges. The group compiled a list of dream artists, many of whom were not signed to Republic or its parent Universal Music Group, and began making calls to managers, labels, and publishers. “They had to be able to convey a vibe that was sensual and soulful, a certain taste, texture, and tenor.”
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“We were thinking of artists that would be in everyone’s own little personal playlist as they were reading the books,” said Tom Mackay, EVP and general manager, West Coast at Republic.
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Billionaire Christian Grey’s seduction of virginal literature student Anastasia Steele is peppered with unusually specific music cues, including several classical pieces and songs by contemporary artists ranging from Bruce Springsteen to Britney Spears. “ If we could get anyone,” Knobloch recalls thinking, “ Who would we get?"įurther spurring early meetings was the unique role music plays in Fifty Shades as originally written by E.L. Given the market potential of the franchise (the book has sold over 100 million copies worldwide), the group allowed itself to indulge in what Knobloch characterizes as “blue sky” conversations - with no artist, no matter how large, considered to be off the table. Work on the Fifty Shades soundtrack began nearly two years ago, with meetings between Knobloch’s division at Universal, director Sam Taylor-Johnson, independent music supervisor Dana Sano, and the entire Republic A&R team. “There was a very deliberate effort to create as much original material as possible, to tailor the production, the lyrics, and the performance.” “We really wanted the songs to be part of the fiber of the film - nothing crowbarred in or just auxiliary to the experience,” said Mike Knobloch, president of film music and publishing at Universal.
50 SHADES OF GREY SONGS MOVIE
Created out of an ambitious collaboration between Republic and Universal Pictures, the album is something of a throwback to the golden era of movie soundtracks in the late 20th century - Juice, Romeo + Juliet - with several original songs deployed during key plot moments. Where many critics have argued that the novel and film versions of Fifty Shades succeeded in spite of themselves, the soundtrack has been widely received as an artistic achievement as well as a commercial one.
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Most impressive of all? It’s actually good. Featuring original music by Beyoncé, Sia, The Weeknd, and Ellie Goulding, the album, released by Republic Records, sold more than 428,000 units in its first two weeks, according to Nielsen Music, and this week sends two hit singles to the top 10 of the Billboard Hot 100 (Goulding’s “Love Me Like You Do,” No. The surprise success story of the ever-expanding Fifty Shades of Grey franchise isn’t the film adaptation, which needed only two weeks to draw BDSM-curious viewers to the tune of over $400 million worldwide, but the film’s soundtrack - a sexy/cool compilation that recently became the fastest-selling multi-act soundtrack in a decade.